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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Terror to Pieces by Nikki Toole

Elle on wheels

Magazine article by Lucy Quinn, 2013

Lucy Quinn compares the approaches of three photographers lured to the action and culture of roller derby.

Francis Russell Nixon

Sketches and sermons

Magazine article by Jessica Smith, 2009

Jessica Smith looks at the 'fetching' portrait of Tasmania's first Anglican Bishop, Francis Russell Nixon by George Richmond

MacKenzie family silhouette

All there in black and white

Magazine article by Dr Sarah Engledow, 2007

The National Portrait Gallery acquired a beguiling silhouette group portrait by Samuel Metford, an English artist who spent periods of his working life in America.

Portrait 37

September - November 2010
Magazine

This issue features Jenny Sages, Francis Bacon and Lucian Freud, Brook Andrew's portrait of Marcia Langton, Nicholas Harding, Lola Montez, Mick Molloy and more.

Roy de Mastre, c. 1930

An Intimate Portrait of an Australian Artist in 1930

Magazine article by Lauren Dalla, 2003

Lauren Dalla examines the life of Australian painter Roy de Maistre and his portrait by Jean Shepeard.

Sydney Ure Smith

Dupain detective

Magazine article by Johanna McMahon, 2019

Johanna McMahon revels in history and mystery in pursuit of a suite of unknown portrait subjects.

Study for self-portrait, 1963

Inside outside

Magazine article by Michael Desmond, 2010

Michael Desmond explores the portraiture of Francis Bacon and Lucian Freud.

John Monash

Lauded legacy

Magazine article by Karl James, 2015

Karl James gives short shrift to doubts about the profile of General Sir John Monash.

Francis Bacon on Primrose Hill, 1963

Shadows of light

Magazine article by Mark Haworth-Booth, 2002

Mark Haworth-Booth explains why Bill Brandt is one of the most important British photographers of the Twentieth Century.

Michael Kimmelman

Magazine article by Pamela Gray, 2002

Michael Kimmelman, Chief Art Critic of The New York Times and author of Portraits: Talking with Artists at the Met, the Modern, the Louvre and Elsewhere, presented the National Portrait Gallery Third Anniversary Lecture on 2 March 2002. He was generously brought to Australia by the Gordon Darling Foundation and Qantas.

Video still from Dream Job, 2011 by David M Thomas

My dream job

Magazine article by David Thomas AM, 2012

Artist David M Thomas lists some of the ideas and influences behind his video portraits.

Self portrait

Fine and dandy

Magazine article by Joanna Gilmour, 2010

Whether the result of misadventure or misdemeanour, many accomplished artists were transported to Australia where they ultimately left a positive mark on the history of art in this country.

Self Portrait, 1963–64

What price self?

Magazine article by Jane Raffan, 2013

Jane Raffan investigates auction sales of self portraits nationally and internationally.

The National Portrait Gallery

In the galleries

Magazine article by Dr Christopher Chapman, 2009

Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.

Mary Ann Lawrence, 1841

Fits of delicacy and despair

Magazine article by Joanna Gilmour, 2009

Henry Mundy's portraits flesh out notions of propriety and good taste in a convict colony.

Wesley Enoch and David McAllister

Splendid, many-splendoured

Magazine article by Sandra Bruce, 2021

Sandra Bruce gazes on love and the portrait through Australian Love Stories’ multi-faceted prism.

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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency